INTERVIEW BY JOE FITZPATRICK
PHOTOS PROVIDED BY TRUST FALL AND ERIK PHILLIPS
Based on a steady diet of burritos, beer, and black metal, the members of the Virginia Beach band TRUST FALL have been gaining recognition across the commonwealth and beyond for their dark and mysterious songs, their commitment to the D.I.Y. scene, and their dedication to keeping the music scene in Virginia Beach alive. Last year, they opened a D.I.Y. venue called That’s How I Beat Shaq with members of THANKS—another Virginia Beach emo band—and they have been hosting shows there ever since as an alternative to the scene at bars and nightclubs in the area. I recently had the chance to talk to their vocalist John about the tongue-in-cheek black metal background of the band and what they have planned for the near future.
I really love your band’s album art. Do you guys draw the art yourselves?
For the demo we put out in 2011 and the split we did with our friends in THANKS, our drummer Rusty drew, and the art for our 7 inch was done by a fantastic artist named Erin Greenough from Edmonton, Alberta.
How did your band get started, and why did you choose to name the band TRUST FALL?
Our name came from the movie Mean Girls, and Ryan and I started out as an acoustic project in June 2011. We knew Rusty for over a decade before. After his band LITTLE FOOT broke up, we asked him to be our drummer, and he has put up with us being idiots ever since.
Your band’s motto is “work hard, play weird, stay kvlt.” What does it mean to ‘stay kvlt’?
We are all really into black metal, and it started as a tongue-in-cheek joke between us and our fans, but when we became a full band in January 2012, we adjusted our sound to be more dark and mysterious so it stuck.
What exactly is “blackened emo”?
It started out as another tongue-in-cheek black metal joke. We try to bring a black metal aesthetic to our music, and we write songs that are dark and heavy with very emotionally driven lyrics.
Do you think with the constant move towards digital releases of music, album art is being forgotten about as part of the music experience?
I can’t speak for everyone, but personally, I still think it is very important. Even if I am buying a record on iTunes, it’s part of the package and part of the listening experience. I think we try to make our album art a reflection of the music to be digested.
Recently a lot more pop punk bands, indie bands, and emo bands—including yourselves—have been releasing their music on vinyl and cassette tapes, in addition to CDs and digital releases. Why do you think this has been a trend?
We all hold value towards the things we own whether they are toys, souvenirs, or a record. They are physical artifacts that help us remember the past. CDs are kinda shit, but vinyl sounds great and cassettes are something that you can hold and cherish.
I know you guys are huge supporters of D.I.Y. bands in the music scene, but how important is that to your band’s identity?
It is very important, and we would not be where we are without the VA D.I.Y. scene. We co-own a venue in Virginia Beach called That’s How I Beat Shaq, and we think it is so important to have positive places around Virginia where bands can play and not have to deal with the big egos and fights that happen in the metal and hardcore scenes that have gotten many venues shut down. We really appreciate venues like That’s How I Beat Shaq, and they give us lots of energy and drive to continue to do what we do.
How would you describe the emo scene in Virginia?
It’s not flooded, but there is great quality. THE GREAT DISMAL is a great band from Virginia Beach. They are very melodic emo. Richmond and Northern Virginia have some awesome bands like CAUST and KILGORE TROUT, and there’s a great band called KAOROUNEGISA that just started that has members of CAUST, SOLOMON SOLOMON, and other guys from the Virginia and Maryland emo scene.
Do you have any upcoming shows in the area?
Currently, we are taking a break to work on our new record, but on October 27we will be playing Tobeyfest at VA Live Entertainment in Chesapeake with THE MENZINGERS, our buddies THANKS, THE GREAT DISMAL, CANDY HEARTS, and a lot more. The day after that, we will be playing a show at That’s How I beat Shaq.
Do you have any final thoughts?
“When Doves Cry” by PRINCE is the greatest song of all time.